14th January
I was absent for this Lesson, however Lorna sent me the information and research I needed for the next lesson. It consisted of a piece Olly had seen before about a boy who decided he wanted to bury his brother in the pavement. Lorna decided to research it a bit more.
https://www.nickhernbooks.co.uk/Book/1626/Burying-Your-Brother-in-the-Pavement.html
This is an overview from the website she found-
'Tom’s brother Luke is dead. This has upset a lot of people but it hasn’t upset Tom. Or, rather, it has upset him, but in ways he can’t explain and other people can't understand. You see, Tom and Luke were never friends. In fact, Tom didn't really like Luke at all.
So it’s an odd decision - to try and bury Luke in the pavement of the Tunstall Estate where he was killed. But to Tom, it sort of makes sense, in a stupid-weird kind of way. As he sleeps out on the pavement, he comes across planning officials, tramps, undertakers, police officers, sisters, mothers, estate agents, ghosts, pavement elephants, sky dragons and a strange lad called Tight who wants to sell him a Travelcard.'
15th January
For the first part of this lesson Lorna, Olly and Kat briefed me on the short piece they began to devise from the last lesson.
The piece was based around children (which we were all very comfortable with as we had used it in previous pieces) and war. We began to incorporate different techniques such as freeze frames, naturalistic acting, abstract drama and stop-start motion. We wanted to make our transitions between acting as children and our war freeze frames (or abstract war scenes) as smooth as possible, therefore we decided to make them link:
Children playing a game of tag/it ---> Freeze frame of soldiers in battle
Children eating packed lunch, talking about a paper cut ---> Freeze frame of injured soldier
Children playing eye spy and spotting a plane ---> Abstract representation of a fighter jet
Children playing tag/it ---> Abstract drama of chaos of bomb exploding
We decided that we would signal these changes with a click to make it easier for everyone to know when to change. We then began to get into the children acting mindset and began to think about what would make it seam more like a children s piece. Ironically we thought of a school bell, we discussed how we could incorporate it into our piece and Olly gave the idea that we could begin the piece as children (having the bell to signify the start of lunch) and end the piece as children with another ring of the bell (to signify the end).
We then performed the piece to the rest of the class.